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Blank Canvas

by Sarah Elizabeth Charles

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Mssr Renard
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Mssr Renard Wonderful and moving music, wich reminds me of Kate Bush, Bjork and Sade all at the same time.

Musically speaking in the electropop-realms, but lyrically it is so much more than that. Great to hear a Max Roach-original, but my favorite here is Borders wich just builds and builds and keeps building. An excellent example of modern progressive music. Favorite track: Borders.
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    Includes unlimited streaming of Blank Canvas via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Borders 06:35
Blank Canvas 04:09
Angel Spark 03:14
Malba 04:02
Freedom Day 05:40
Brother 02:25
Out Loud 05:12
The Message 04:46



Featuring beloved SCOPE colleagues Jesse Elder (keyboards & piano), Jordan Peters (guitar), Burniss Earl Travis II, a.k.a. Boom Bishop (bass), John Davis (drums)

Special guest Chief Xian aTunde Adjuah, a.k.a Christian Scott on the Adjuah Bow (double-sided electric harp) & Jesse Fischer (keyboards, piano & co-production)

Available on Stretch Music/Ropeadope

Ever since vocalist Sarah Elizabeth Charles debuted her band SCOPE with their first album, Red, in 2012 — following up with Inner Dialogue (2015) and Free of Form (2017) — she’s begun to think of it as more than just a band name. “It’s a way of identifying my creative space,” she says, reflecting on the next step in SCOPE’s collaborative journey: the breathtaking new album Blank Canvas. “I see SCOPE as more mission-oriented and reflective,” she adds. “It’s about seizing the opportunity to do something with your craft, to make an impact and share a perspective. Blank Canvas represents the opportunity to take this a step further; to challenge ourselves to do something differently than before, making the choice to orient yourself in another direction at the exact moment that you might think you’re out of options.”

Based in Brooklyn, Charles has undergone enormous personal and professional growth in the five years since the release of Free of Form, and it’s richly evident in the batch of new material she created for Blank Canvas. In the interim, she has toured and recorded with the vibrant world-jazz ensemble Ajoyo, led by saxophonist Yacine Boulares. She appeared as a featured guest vocalist and co-writer on recent albums by Chief Xian aTunde Adjuah (a.k.a Christian Scott). She made a cathartic duo album, Tone, with pianist Jarrett Cherner. And she appeared on Jesse Fischer’s 2020 release Resilience, furthering a creative relationship that has become increasingly central — so much so that she enlisted Fischer as her co-producer (and additional keyboardist) on Blank Canvas.

There were hard times as well: not just political turmoil and the pandemic, but a miscarriage and the loss of her brother. But Charles also had new life experiences, bringing a son into the world and beginning the incredible journey of motherhood. She shares openly about all of these things in this new collection of material.

For the first time, Charles adds guitar to the SCOPE lineup, welcoming Jordan Peters along with her established cohort of Jesse Elder (keyboards & piano), Burniss Earl Travis II, a.k.a. Boom Bishop (bass) and John Davis (drums). Peters, with his crisp, liquid, often edgy tone, creates another sonic layer and lends a heavier rock element to the distinctive SCOPE sound. Visual artist Laetitia Kaing was creating during the studio sessions as well, spontaneously painting the art that appears in the album packaging and that closely accompanies the musical environment.

From the first reverent, meditative vocal textures of the opening “Guest House Intro” (incorporating a poem by Rumi, translated by Coleman Barks), Charles is in exploration mode, determined to draw deep from the complex emotions she’s been facing. Her imaginative use of effects and vocal layering has long been part of her vision, but Blank Canvas proves to be next-level in that regard.

Chief Xian aTunde Adjuah, whose trumpet and coproduction did so much to shape SCOPE’s earlier releases, returns on Blank Canvas in a smaller but no less striking role: playing the Adjuah Bow, an instrument of his own design, on the tracks “Brother” (co-written by Charles and Adjuah) and “Freedom Day.” The latter, from Max Roach’s iconic 1961 protest album We Insist! Freedom Now Suite, originally featured Abbey Lincoln, whose performance impacted Charles enormously. Here the song is heavily abstracted and reimagined, with atmospheric drums, a striking bass feature and Adjuah’s suggestive pizzicato-like string tones swirling around fragments of Oscar Brown, Jr.’s original lyric.

“Brother” features the Adjuah Bow more explicitly, with a plucked, guitar-like accompaniment to Charles’ mournful, hypnotic recollection of her beloved late sibling, Luke. It’s a bookend to “Out Loud,” a song written for Luke before his passing — previously heard as a duet on Tone, revisited here with the full band to bring a sense of closure.

In the studio and in rehearsals, SCOPE worked assiduously to shape the music together. Jesse Fischer, as co-producer, came onboard after the initial tracking was complete. With a keen intuitive sense of Charles’ artistic priorities and state of mind, he was able to work by her side to extract meaning and bring about the sonic landscape that Blank Canvas required. “This record is a culmination of a spiritual journey I’ve been on for the past five years,” Charles says in conclusion. “It’s an ode to a way of living. It feels so much more ‘off the cliff’ for me, but I needed to put it out in the world, because it’s grounded in this new ‘hi-def’ version of myself.”


released November 11, 2022

Sarah Elizabeth Charles (voice & effects)
Jesse Elder (keyboards & piano)
Jordan Peters (guitar)
Burniss Earl Travis II (bass)
John Davis (drums)

with special guests, Chief Xian aTunde Adjuah (Adjuah Bow, tracks 6 & 7) & Jesse Fischer (keyboards, production & piano)

co-produced by Sarah Elizabeth Charles & Jesse Fischer

Music collaboratively shaped by SCOPE (Charles, Elder, Peters, Travis & Davis)

Album canvas creations/paintings by Laetitia Kaing
Album art by Daphne Mia Essiet
Styled by Mia Wright-Ross (MWR Atelier)
Photography by Shervin Lainez
Recorded at The Bunker Studio
Engineered by John Davis & Alex Conroy

Additional Engineering by Jesse Fischer at Electrik Indigo Sound

Mixed by John Davis
Mastered by Alex DeTurk

Track #1
“Guest House Intro”
Music by Sarah Elizabeth Charles
Poem by Jalāl al-Dīn Rumi
Translation by Coleman Barks

Track #6
“Freedom Day”
Music by Max Roach
Lyrics by Oscar Brown Jr.

Track #7
Music by Chief Xian aTunde Adjuah
Music & Lyrics by Sarah Elizabeth Charles


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Sarah Elizabeth Charles New York, New York

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